TEST B13

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Question 1 of 6

1. Question

Unidentified works:

These are those in which their uses have been detected and a CGE has collected money for them, but the CGE has no information to know which work (ISWC) it is, so it does not know who the owners are.
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In most cases, they could be collected at the holder's request, without the need for the holder to register with the CGE.
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In some cases, these are licensees who have not signed or registered their songs with the EGC.
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EGCs are obliged to publish them on their official websites in order to enable owners to recognise their musical works and to make the relevant claims for collection.
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All of the above statements are correct.
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None of the above statements are correct.
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Only A, B and C are correct.
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Only A, C and D are correct.
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Only B, C and D are correct.
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Question 2 of 6

2. Question

Unidentified phonograms:

Those where their uses have been detected and a CGS has collected money for it, but the CGS has no information about that phonogram (ISRC) and therefore does not know who the rights holders are.
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In most cases, they could be collected at the holder's request, without the need for the holder to register with the CGE.
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In some cases, these are holders who have not signed or registered their phonograms with the EGC. Indeed, some DIY artists forget to do these basic formalities.
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EGCs are obliged to publish them on their official websites in order to enable owners to recognise their musical works and to make the relevant claims for collection.
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All of the above statements are correct.
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None of the above statements are correct.
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Only A, B and C are correct.
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Only A, C and D are correct.
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Only B, C and D are correct.
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Question 3 of 6

3. Question

Undetected fixed interpretations:

Those where their uses have been detected and a CGS has collected money for it, but the CGS has no information about the performers behind the phonogram, so it would not be able to remunerate them.
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In most cases, they could be collected at the holder's request, without the need for the holder to register with the CGE.
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In some cases, these are incumbents who have not signed or reported their interpretations to the CGE.
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EGCs are obliged to publish them on their official websites in order to enable owners to recognise their musical works and to make the relevant claims for collection.
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All of the above statements are correct.
Correct Incorrect Correct answer

None of the above statements are correct.
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Only A, B and C are correct.
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Only A, C and D are correct.
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Only B, C and D are correct.
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Question 4 of 6

4. Question

Money raised by an unidentified work:

It must be kept for a certain period of time until the holders can claim it. In Spain, this period would be 5 years.
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When the time limit in which the owner can claim the use of any of the unidentified works has passed, the EGC partners decide what is to be done with the money.
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After the time limit for claims by the holders has expired, the voting members of the EGCs could choose (in a majority vote) to collect the money distributed in proportion to the repertoire usage data already held.
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It must be returned to users after the expiry of the limitation period.
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All of the above statements are correct.
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None of the above statements are correct.
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Only A, B and C are correct.
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Only A, C and D are correct.
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Only B, C and D are correct.
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Question 5 of 6

5. Question

A musical work would most likely remain unidentified:

In the case that, for example, in a co-created work, the publisher of one of the authors has registered it, but the others have not.
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When the musical work is not registered.
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When there is no database that can match the phonogram (ISRC) to the musical work (ISWC).
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When its author is signed with a CGS but has not registered the musical work with the CGS.
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All of the above statements are correct.
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None of the above statements are correct.
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Only A, B and C are correct.
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Only A, C and D are correct.
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Only B, C and D are correct.
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Question 6 of 6

6. Question

Social, cultural and educational purposes:

Part of the proceeds from private copying are often earmarked for such purposes.
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Members of CGEs could choose to use the money from unidentified works or phonograms for these purposes, although in some cases there is a minimum amount allocated for these purposes by law.
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In some countries, laws require that certain amounts collected by CGEs licensed in that country must be earmarked for these purposes.
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In Europe, any money raised by a CGE to be used for such purposes may be used freely without the approval of the CGE's voting partners.
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All of the above statements are correct.
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None of the above statements are correct.
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Only A, B and D are correct.
Correct Incorrect Correct answer

Only A, B and C are correct.
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Only B, C and D are correct.
Correct Incorrect Correct answer

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